Title: Traumstoff
Year Of Release: 2012
Label: Neuklang
Genre: Jazz
Quality: 320 kbps | 24Bit/44 kHz FLAC (tracks+digital booklet)
Total Time: 01:05:33
Total Size: 151 mb | 320 mb


01. Paçoca
02. I Was Brought To My Senses
03. Bachianas Brasileiras No. 5 – Aria (Cantilena)
04. Pe De Moleque
05. Ave Maria / All The Things You Are
06. Gymnopédie No. 1
07. Fragile
08. Invention No. 4
09. Bimini
10. Pavane
11. Alfonsina Y El Mar
12. The Waltz


Barbara Bürkle, Voice
Tillmann Reinbeck, Classical Guitar
Steffen Hollenweger, Double Bass

Gorgeous and seductively simple, Batist manages to fuse jazz, classical and the subtleties of world and Latin flavors into a rich sonic mosaic. Much like the genres they so effortlessly transcend, this trio crosses over the artistic limitations of ‘labels’ and emerges with a fresh vibrant sound with unlimited potential.

The brightly colored tiles of a mosaic are in relation to the vibrant bits and pieces of musical variety offered including Sting’s ‘I Was Brought To My Senses.’ Barbara Burkle’s pristine vocals accompanied by the classical guitar of Tillmann Reinbeck reinvent a pop tune into a more eclectic contemporary ambiance. Far more than just a passable cover, Batist adds their own musical depth of field and breathes fresh life into the classic Sting tune.’Ave Maria / All The Things You Are’ is a stunning modern fusion of the classical with the Jerome Kern / Oscar Hammerstein II jazz standard. Burkle does not sing the words, she makes the music. Tone, phrasing, articulation are all spot on in one of the most beautiful and well thought out arrangements available to the public. Johann Sebastian Bach’s ‘Invention No. 4’ with voice accompaniment from Burkle is an incredible organic arrangement where classical and contemporary become one. The pulsating yet lyrical bass work of Steffen Hollenweger adds great character to this piece. ‘Bimini’ from Jim Hall opens with Hollenweger’s double bass and is quickly followed with the punctuation and single note articulation from guitarist Reinbeck. While the instrumental prowess shines and this included the rich vocals of Burkle, the ebb and flow is virtually flawless as the trio shifts dynamics on the fly with minimal effort.

To create a unique hybrid without stripping the musical gears of the listener is an amazing feat given the sonic ground Batist attempts to cover. While earthy and seemingly simple, the complexity of the music is that of the arrangements and ambient feel that allow the sonic time traveler ample room to listen without ever becoming lost. An organic heart beat permeates this release, music with a pulse and sense of purpose. Passion is in full effect without the self indulgent after effects that plague most artists attempting such a work of this magnitude.

Neuklang is one of the very finest labels in Europe and they continue to impress with Batist. Traumstoff is virtually flawless and possibly a critics worst nightmare as it masterfully sidesteps standard categorization.

No Man's Valley – Outside The Dream (2019)

No Man's Valley - Outside The Dream (2019)

Title: Outside The Dream
Year Of Release: 2019
Label: Chrononaut Records
Genre: Rock
Quality: FLAC (tracks)
Total Time: 40:49
Total Size: 248 MB


1. Outside The Dream (03:33)
2. Eyeball (05:38)
3. Hawk Rock (03:22)
4. From Nowhere (07:51)
5. Into The Blue (05:30)
6. 7 Blows (07:27)
7. Lies (03:11)
8. Murder Ballad (04:13)

No Man’s Valley is a five-piece band from the south of the Netherlands who have been jamming together for over 5 years now. After releasing two EPs and their highly acclaimed debut full length Time Travel in 2016 on Nasoni Records the band toured Europe, played the renowned Freak Valley Festival in 2018, and a truck load of shows with headliner bands. Their single The Wolves Are Coming was included in the upcoming video game Wreckfest and has reached over 300.000 streams on Spotify. Outside The Dream is No Man’s Valley’s most personal work to date. The art and lyrical concept originate from a period of inner turmoil visualized in the tunnel on the outside and inside of the LP. The creation of the album proved to be a cathartic process, and it taught the band that music can truly be a healing power.

Jerome Leroy – Killers Within (Original Motion Picture Soundtrack) (2019)

Jerome Leroy - Killers Within (Original Motion Picture Soundtrack) (2019)

Title: Killers Within (Original Motion Picture Soundtrack)
Year Of Release: 2019
Label: Editions Milan Music
Genre: Soundtrack
Quality: MP3 320 kbps / FLAC (tracks)
Total Time: 1:05:14
Total Size: 150; 299 MB

Jerome Leroy is an award-nominated composer who has written original music for feature films, TV movies, short films, video games and live events.

A native of Paris, France, Jerome studied film scoring at the world-famous Berklee College of Music in Boston. After moving to Los Angeles, he started his career by scoring numerous short films, including the multi award-winning animated film BROTHER (American Pavilion winner at the 2013 Cannes Film Festival) and TAKING THE PLUNGE, winner of a Student Academy Award.

Since then, Jerome has written music for feature films such as AFTER EVER AFTER, #IKLLR, and THE MISTOVER TALE, New Line Cinema’s A VERY HAROLD & KUMAR 3D CHRISTMAS, TOUCHBACK (starring Kurt Russell), and 50 TO 1, directed by Academy Award winner Jim Wilson. His credits in the film industry also includes Lionsgate’s tentpole movie THE HUNGER GAMES, Universal Pictures’ animated film THE TALE OF DESPEREAUX, and THE LIBERATOR, with music by LA Phil Music Director Gustavo Dudamel,. He also collaborated on more than thirty films as orchestrator and score producer. In 2016, his original score to Dennis Ho’s A BETTER PLACE was nominated in the Best Music category at the Lyon International Film Festival.

In television, Jerome’s co-composed the original scores to Hallmark Hall of Fame’s ONE CHRISTMAS EVE, directed by Jay Russell, and Crackle’s THE THROWAWAYS, starring James Caan and Kevin Dillon. His music can also be heard on a variety of movies-of-the-week for Hallmark Hall of Fame, Lifetime, and the Hallmark Channel. He also co-produced and wrote music on the original score to OWN’s groundbreaking docuseries OPERATION CHANGE.

In addition to his work in long form entertainment, Jerome has written and produced music for various media projects, most notably for mobile apps and video games, commercials and corporate films, and rides for theme parks worldwide such as Disney World in Orlando, Disneyland Anaheim, and Universal Studios. He also arranged songs for a variety of artists, including IDINA MENZEL and teen sensation band IL VOLO.

A strong believer in the emotional power of live music, Jerome strives to incorporate soloists and orchestral musicians to his acoustic-based and hybrid scores. He regularly collaborates with local Los Angeles musicians, and has recorded at every major scoring stages in Los Angeles, London (including at Abbey Road with the London Symphony Orchestra), and all over Eastern Europe.

01. Jerome Leroy – Killers Within (Opening Titles)
02. Jerome Leroy – Tiger Kidnapping
03. Jerome Leroy – The Plan
04. Jerome Leroy – Countryside Manor
05. Jerome Leroy – In Motion
06. Jerome Leroy – Bathroom Break
07. Jerome Leroy – There’s Someone Else
08. Jerome Leroy – Looking for Carl
09. Jerome Leroy – Seduction
10. Jerome Leroy – Back Inside
11. Jerome Leroy – Kill or Be Killed
12. Jerome Leroy – Cold Room
13. Jerome Leroy – Moonlight Outings
14. Jerome Leroy – The Stronger Species
15. Jerome Leroy – Bloody Hands
16. Jerome Leroy – Irish Hospitality
17. Jerome Leroy – Last Regrets
18. Jerome Leroy – The Master Is Back
19. Jerome Leroy – Finishing This
20. Jerome Leroy – Killers Within (Epilogue)

Nigel Kennedy – The Platinum Collection [3CD Box Set] (2007)

Nigel Kennedy - The Platinum Collection [3CD Box Set] (2007)

Title: The Platinum Collection
Year Of Release: 2007
Label: EMI Classics [388773]
Genre: Classical, Chamber Music
Quality: 320 kbps / FLAC (tracks +.cue,log,scans)
Total Time: 3:10:44
Total Size: 565 mb / 975 mb

As one of the most successful classical performers of his time, violinist Nigel Kennedy’s genre-defying music helped him achieve a level of fame typically reserved for pop stars. A native of Brighton, England, he studied music at the Yehudi Menuhin School and at Juilliard; his debut recording, Elgar Violin Concerto, appeared in 1984, shortly followed by Nigel Kennedy Plays Jazz. In the years to follow, Kennedy collaborated not only with the more traditional likes of Riccardo Muti and the Philharmonia Orchestra, the Berlin Philharmonic Orchestra, and Andre Previn, but also with pop figures including Paul McCartney and Kate Bush; his fame reached new heights with the 1989 release of his recording of Vivaldi’s The Four Seasons, which went as high as number three on the U.K. pop charts and went on to sell well over a million copies. In 1992, neck surgery forced Kennedy to retire for several years; when he resurfaced with 1996’s Kafka, he performed his own compositions for the first time, broadening his scope to include not only classical music but also elements of Celtic, rock, and jazz. The Jimi Hendrix tribute The Kennedy Experience followed in 1999.

by Jason Ankeny




Concerto No.1 in E major Op.8 RV 269 “La primavera”
1. I. Allegro
2. II. Largo
3. III. Allegro

Concerto No.2 in G minor Op.8 RV 315 “L’estate”
4. I. Allegro non molto
5. II. Adagio
6. III. Presto

Concerto No.3 in F major Op.8 RV 293 “L’autumno”
7. I. Allegro
8. II. Adagio molto
9. III. Allegro

Concerto No.4 in F minor Op.8 RV 297 “L’inverno”
10. I. Allegro non molto
11. II. Largo
12. III. Allegro

1. Vivaldi: The Four Seaons – III. Presto from “Summer”
2. Massenet: Meditation from Thais
3. Trad: Scarborough Fair
4. Brahms: Hungarian Dance No.5
5. Chopin: Nocturne in C sharp minor Op.Posth.
6. Satie: Gymnopedie No.2
7. Gershwin: Prelude No.1
8. J. S. Bach: Air on the G String
9. Trad: Danny Boy
10. Vittorio Monit: Czardas
11. Handel: The Arrival of the Queen of Sheba
12. Bach/Gounod: Ave Maria
13. Debussy: The Girl with the Flaxen Hair
14. Satie: Gymnopedie No.1
15. Gershwin: Prelude No.2
16. Rimsky-Korsakov: The Flight of the Bumble-Bee
17. William Kroll: Banjo and Fiddle
18. Sarasate: Zigeunerweisen
19. Joni Mitchell: Urge for Going
20. Kennedy: Melody in the Wind


Bruch: Violin Concerto No.1 in G minor Op.26
1. I. Vorspiel (Allegro moderato)
2. II. Adagio
3. III. Finale (Allegro energico)
4. Schubert: Rondo in A for violin and strings D438

Mendelssohn: Violin Concerto in E minor Op.64
5. I. Allegro molto appassionato
6. II. Andante
7. III. Allegretto non troppo – Allegro molto vivace

Stephane Grappelli & Stuff Smith – Violins No End (1996)

Stephane Grappelli & Stuff Smith - Violins No End (1996)

Title: Violins No End
Year Of Release: 1996
Label: Pablo
Genre: Jazz, Gipsy
Quality: FLAC (image+.cue, log, Scans)
Total Time: 46:31
Total Size: 285 MB


01. Don’t Get Around Much Anymore (9:32)
02. Chapeau Blues (7:40)
03. No Points Today (5:19)
04. The Lady Is A Tramp (6:55)
05. Desert Sands (7:16)
06. How High The Moon (5:18)
07. Moonlight In Vermont (4:32)

Since Joe Venuti was in the middle of a long off-period, this CD reissue features arguably the two top jazz violinists of the 1950s: Stephane Grappelli and Stuff Smith. Joined by pianist Oscar Peterson, guitarist Herb Ellis, bassist Ray Brown and drummer Jo Jones, the two masterful violinists share four songs (“Don’t Get Around Much Anymore,” “Chapeau Blues,” “No Points Today” and “The Lady Is a Tramp”) in a fine studio session that contrasts the styles of the fairly complementary fiddlers. In addition, although this set has been reissued under Grappelli’s name, there are three songs from a Paris concert that took place the same day without Stephane. Stuff sounds in peak form on his “Desert Sands,” “How High the Moon” and “Moonlight In Vermont.” This fun set is easily recommended.

Four Tops – The Definitive Collection [Remastered] (2008)

Four Tops - The Definitive Collection [Remastered] (2008)

Title: The Definitive Collection
Year Of Release: 2008
Label: Motown [B0011733-02]
Genre: Soul, Funk, Rhythm & Blues
Quality: 320 kbps / FLAC (tracks+.cue,log,scans)
Total Time: 51:32
Total Size: 586 mb / 824 mb

Solid and steady hitmakers for Motown in the late 1960s, the Four Tops, led by the deep, soulful voice of Levi Stubbs and blessed with A-line songs from the Holland-Dozier-Holland writing team, were one of the finest singing groups the label ever produced. Singles like “Reach Out I’ll Be There,” “Standing in the Shadows of Love,” “Bernadette,” “I Can’t Help Myself,” and the wise-beyond-its-era “It’s the Same Old Song” were radio staples in their time, and actually still continue to be staples on 21st century oldies stations. That’s staying power, and it’s no accident. The songs, at least the singles, were good and the Tops’ sound was a hair rougher and edgier than a lot of Motown’s issues at the time. It was a winning combination. This set has all of the above songs, each of which is essential, and plenty of other stuff that isn’t quite so essential (the Four Tops were really a singles act — their LPs tended to have a fair amount of filler). It also doesn’t have anything the group recorded after they left Motown, but the Four Tops’ peak years were at Motown anyway, so for most listeners, this set will be just fine.


01. Reach Out I’ll Be There (3:00)
02. Standing in the Shadows of Love (2:39)
03. Bernadette (3:03)
04. Ask the Lonely (2:42)
05. Baby I Need Your Loving (2:46)
06. Without the One You Love (Life’s Not Worthwhile) (2:45)
07. It’s the Same Old Song (2:47)
08. Loving You is Sweeter than Ever (2:48)
09. I Can’t Help Myself (Sugar Pie, Honey Bunch) (2:44)
10. Something About You (2:42)
11. I Got A Feeling (2:54)
12. Walk Away Renee (2:44)
13. Four Tops – Still Water (Love) (3:13)
14. (It’s the Way) Nature Planned it (3:46)
15. It’s All in the Game (2:45)
16. You Keep Running Away (2:51)
17. 7-Rooms of Gloom (2:35)
18. Shake Me, Wake Me (When It’s Over) (2:39)

VA – Corée – Ile De Jindo (Chants funéraires et chamaniques – Funeral and Shamanic Chants) (2019)

VA - Corée - Ile De Jindo (Chants funéraires et chamaniques - Funeral and Shamanic Chants) (2019)

Title: Various Artists
Year Of Release: 2019
Label: Ocora Radio-France
Genre: World
Quality: MP3 320 kbps / FLAC (tracks)
Total Time: 1:01:28
Total Size: 141; 304 MB

Les rituels de Jindo et le ssitgim-gut
Jindo est la troisième plus grande île située dans le sud-ouest de la péninsule coréenne. Elle a toujours préservé une culture traditionnelle originale jusqu’à ce qu’un pont, construit en 1984, relie l’île au continent.

L’île de Jindo dont le climat tempéré offre d’abondantes ressources agricoles et maritimes, est également réputée pour ses créations artistiques.

Cette île possède neuf biens culturels intangibles dont trois sont inscrits auprès de l’UNESCO en tant que patrimoine culturel immatériel de l’humanité : le ganggangsullae (danse et chants traditionnels) ; le nongak (ensembles de musique, danse et rituels communautaires) ; le chant arirang. Une partie de ces biens immatériels est présentée dans ce disque : le ssitgim-gut, le sangyeo-sori et le namdo-japga.

En Corée, aujourd’hui, les obsèques consistent à déposer les urnes cinéraires dans un columbarium ou éventuellement à les enterrer sous un arbre. La pratique de l’inhumation du corps à la manière traditionnelle est en régression. En marge de ces usages, les rites funéraires de l’île de Jindo, dont le ssitgim-gut, témoignent de la survivance de pratiques funéraires chamaniques datant de l’Antiquité. Le rite ssitgim-gut, composé de cérémonies spécifiques accompagnées de musiques surprenantes, constitue un patrimoine culturel d’une grande importance pour la culture collective des funérailles villageoises qui se déroulaient dans une ambiance de fête. Jusque dans les années 1980, des familles de chamanes résidaient dans chaque village de l’île de Jindo et y exécutaient souvent le ssitgim-gut.

Les musiques jouées lors du ssitgim-gut nécessitent généralement la maîtrise des instruments suivants : le tambour en forme de sablier janggu, le hautbois piri, la cithare à archet ajaeng et le gong jing. Parfois, on ajoute la cithare gayageum à 12 cordes, le tambour buk, la vièle à deux cordes haegeum, la flûte traversière daegeum etc., mais ces instruments sont secondaires. Il arrive également que des instruments à percussions en laiton jeongju et bara soient utilisés.

Le jeu théâtral burlesque dasiraegi
Le rituel funéraire coréen se termine par l’enterrement, après le transport de la bière jusqu’à la tombe, au moyen du sangyeo – grand brancard funéraire. Le jeu effectué dès la veille de l’enterrement chez le défunt, par les villageois préparant le sangyeo, est appelé dasiraegi (« faire renaître » ou « se réjouir ensemble »).

Le sangyeo-sori
Le lendemain matin du ssitgim-gut et du dasiraegi, on commence à préparer l’enterrement. Tout le monde se déplace jusqu’à la tombe avec le grand brancard funéraire sangyeo transportant la bière, suivi d’une longue procession (pouvant atteindre plusieurs centaines de mètres). Sur l’île de Jindo, on appelle ce brancard kot-sangyeo « brancard funéraire fleuri » car, à la différence des brancards du continent, il était particulièrement fleuri de guirlandes en papier. Les chants entonnés par les porteurs de sangyeo pendant cette procession sont appelés sangyeo-sori.

Le jindo manga désigne l’ensemble des chants des porteurs de sangyeo. Il est classé comme patrimoine culturel immatériel n° 19 de la province du Jeolla du sud. Il ressemble aux chants entonnés pendant la cérémonie gildakeum du ssitgim-gut. Parmi les chants du jindo manga figurent dans ce disque les enregistrements des chants eh-sori et ganambosal (plages 12 et 13).

01. Kang Song-dae, Park Jong-sook, Yu Hayoung, Collectif artistique communal de Jindo – Yukjabaegi (Namdo Japga)
02. Kang Song-dae, Park Jong-sook, Yu Hayoung, Collectif artistique communal de Jindo – Heung-Taryeong (Namdo Japga)
03. Park Miouk, Collectif artistique communal de Jindo – Jaeseok-Maji (Jaeseok-Gut)
04. Park Miouk, Collectif artistique communal de Jindo – Jaeseok-Puri (Jaeseok-Gut)
05. Park Miouk, Collectif artistique communal de Jindo – Jung-Taryeong (Jaeseok-Gut)
06. Park Miouk, Collectif artistique communal de Jindo – Anjeun Jodal (Jaeseok-Gut)
07. Park Miouk, Collectif artistique communal de Jindo – Jigyeong-Dagugi (Jaeseok-Gut)
08. Park Miouk, Collectif artistique communal de Jindo – Jipjitgi (Jaeseok-Gut)
09. Park Miouk, Collectif artistique communal de Jindo – Ipchun Butchigi (Jaeseok-Gut)
10. Park Miouk, Collectif artistique communal de Jindo – Seongjugyeong (Jaeseok-Gut)
11. Park Miouk, Collectif artistique communal de Jindo – Byeoseulgung (Jaeseok-Gut)
12. Kang Song-dae, Collectif artistique communal de Jindo – Eh-Sori (Sangyeo-Sori)
13. Kang Song-dae, Collectif artistique communal de Jindo – Ganambosal (Sangyeo-Sori)

Michael Garrick Sextet – Promises (2008)

Michael Garrick Sextet - Promises (2008)

Title: Promises
Year Of Release: 2008
Label: Vocalion
Genre: Jazz, Post-Bop, Modal
Quality: FLAC (tracks+.cue, log, Artwork)
Total Time: 50:32
Total Size: 240 MB


01. Promises (3:35)
02. Parting Is Such (7:26)
03. I’ve Got Rhythm (3:34)
04. A Thing of Beauty (5:19)
05. Merlin the Wizard (6:18)
06. Second Coming (5:33)
07. Requiem (4:46)
08. Leprechaun Leap (5:22)
09. Portrait of a Young Lady (4:35)
10. Song by the Sea (4:04)

Don Williams – Collection – Silver Turns To Gold (2005) [Remastered]

Don Williams - Collection - Silver Turns To Gold (2005) [Remastered]

Title: Collection Silver Turns To Gold
Year Of Release: 2005
Label: Royal Chimes/Premium Records [PR27884]
Genre: Country Pop, Singer/Songwriter, Easy Listening
Quality: 320 kbps / FLAC (tracks +.cue,log,scans)
Total Time: 44:38
Total Size: 142 mb / 306 mb


01. Crying In The Rain
02. Shadow Land
03. You’ve Got A Friend
04. Pretend
05. Fever
06. If You Could Read My Mind
07. Reason To Believe
08. Silver Turns To Gold
09. What Does It Matter To Me
10. I Need You To Want Me
11. Restless
12. Wash It All Away

Metallica – Through the Never (Music from the Motion Picture) (2013) Vinyl-Rip

Metallica - Through the Never (Music from the Motion Picture) (2013) Vinyl-Rip

Title: Through the Never (Music from the Motion Picture)
Year Of Release: 2013
Label: Blackened Recordings
Genre: Thrash Metal, Heavy Metal
Quality: FLAC (tracks) 24bit / 192kHz
Total Time: 01:40:45
Total Size: 4 Gb


A-1 The Ecstasy Of Gold
A-2 Creeping Death
A-3 For Whom The Bell Tolls
B-1 Fuel
B-2 Ride The Lightning
C-1 One
C-2 The Memory Remains
D-1 Wherever I May Roam
D-2 Cyanide
E-1 …And Justice For All
F-1 Master Of Puppets
F-2 Battery
G-1 Nothing Else Matters
G-2 Enter Sandman
H-1 Hit The Lights
H-2 Orion

VPI Scoutmaster II w/ JWM-9T / Dynavector 20x2L (VTF: 2.2g)
Pro-Ject Tube Box DS
E-MU 1212m

Metallica: Through the Never is a soundtrack album for the film of the same name, consisting of live recordings by American heavy metal band Metallica. It was released on September 24, 2013 via Blackened Recordings and has charted in several countries.
All tracks on the soundtrack are live recordings from the Canadian shows at Rexall Place in Edmonton, Alberta on August 17 and 18, 2012 and Rogers Arena in Vancouver, British Columbia on August 24, 25 and 27, 2012, with the exception of “Orion” that was recorded live at soundcheck.