Artist:
Title: 3 Days
Year Of Release: 2019
Label: This Is It Forever – TIIF041
Genre: Ambient, Drone
Quality: lossless (tracks)
Total Time: 29:17
Total Size: 120 mb
WebSite:


Tracklist
1. 3 Days (First) (05:44)
2. 3 Days (Second) (05:10)
3. 3 Days (Third) (05:23)
4. 3 Days (Fourth) (04:49)
5. 3 Days (Fifth) (04:32)
6. 3 Days (Sixth) (03:39)


lossless
isra.cloud

A. Morgan – Trip EP (2018) [Hi-Res]

A. Morgan - Trip EP (2018) [Hi-Res]

Artist:
Title: Trip EP
Year Of Release: 2018
Label: Newrhythmic Records
Genre: Techno
Quality: FLAC (tracks) 24bit/44.1kHz
Total Time: 00:23:49
Total Size: 268,48 MB
WebSite:


Tracklist:

[6:27] 01. A. Morgan – New Dimensions
[5:35] 02. A. Morgan – Synapse
[6:23] 03. A. Morgan – Transform
[5:24] 04. A. Morgan – Trip

**********

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A. Morgan - Trip EP (2018) [Hi-Res]

Paul McCartney – RAM (Remastered) (2012/2019) [Hi-Res]

Paul McCartney - RAM (Remastered) (2012/2019) [Hi-Res]

Artist:
Title: RAM (Remastered)
Year Of Release: 2019
Label: Paul McCartney Catalog
Genre: Pop, Rock
Quality: 24bit-96kHz FLAC (tracks+booklet)
Total Time: 43:13
Total Size: 969 MB
WebSite:


Tracklist:

1. Too Many People (Remastered) 04:10
2. 3 Legs (Remastered) 02:48
3. Ram On (Remastered) 02:30
4. Dear Boy (Remastered) 02:15
5. Uncle Albert / Admiral Halsey (Remastered) 04:55
6. Smile Away (Remastered) 03:53
7. Heart Of The Country (Remastered) 02:24
8. Monkberry Moon Delight (Remastered) 05:25
9. Eat At Home (Remastered) 03:23
10. Long Haired Lady (Remastered) 06:05
11. Ram On (Remastered) 00:56
12. The Back Seat Of My Car (Remastered) 04:30

RAM, originally released in May of 1971, is the only album to be credited to both Paul and Linda McCartney and was Paul’s second post-Beatles LP. It was overshadowed at the time by the drama of the dissolution of The Beatles, as played out in the world’s media. The album topped the charts hitting #1 in the UK and #2 in the US. While RAM polarized critics upon its release, music fans and critics alike since have overwhelmingly embraced it, with Rolling Stone, for example, revising their original review up to 4 stars. Recently RAM has enjoyed even further re-appraisal and acknowledgement including a number of tribute albums.

RAM was written by Paul and Linda, mostly at their Scottish farm on the Mull of Kintyre. In the autumn of 1970 they flew to New York to start the recording process. Without a band in place they auditioned and drafted musicians, who included future Wings drummer Denny Seiwell and guitarists David Spinozza and Hugh McCracken.

The band completed the album in early 1971 along with non-album tracks ‘Another Day’ and ‘Oh Woman, Oh Why’ which were released together as Paul’s first post-Beatles single ahead of the release of RAM and became a Top 5 global hit. The multi-disc editions of the RAM reissue include both songs as bonus tracks. The album also gave Paul his first post-Beatles US number 1 single with “Uncle Albert/Admiral Halsey” and a Grammy win for Best Arrangement Accompanying Vocalists.

RAM was also issued in mono with alternate mixes, which were only made available to radio stations at the time. This version has gone on to become one of the most sought after McCartney collectables. It will now be commercially available for the first time ever on CD as part of the Deluxe Edition as well as a limited run on vinyl.

1977 saw the release of Thrillington, an instrumental interpretation of RAM, which was originally recorded in 1971 at London’s Abbey Road Studios and was arranged by Richard Hewson. It was released under the pseudonym Percy ‘Thrills’ Thrillington, an unknown eccentric socialite who often cropped up in mysterious newspaper classifieds. In reality Percy was a character devised by Paul and Linda. The idea behind it was simply to have some fun and the concept of doing a full orchestral album was an ambition long held by Paul.

The additional film content features previously unreleased and exclusive content including the brand-new documentary, “Ramming” narrated by Paul, as well as the original music videos for “Heart Of The Country” and “3 Legs.”

The remastering work was done at Abbey Road using the same team who recently remastered the complete Beatles’ catalogue.

“After the breakup, Beatles fans expected major statements from the three chief songwriters in the Fab Four. John and George fulfilled those expectations — Lennon with his lacerating, confessional John Lennon/Plastic Ono Band, Harrison with his triple-LP All Things Must Pass — but Paul McCartney certainly didn’t, turning toward the modest charms of McCartney, and then crediting his wife Linda as a full-fledged collaborator on its 1971 follow-up, Ram. Where McCartney was homemade, sounding deliberately ragged in parts, Ram had a fuller production yet retained that ramshackle feel, sounding as if it were recorded in a shack out back, not far from the farm where the cover photo of Paul holding the ram by the horns was taken. It’s filled with songs that feel tossed off, filled with songs that are cheerfully, incessantly melodic; it turns the monumental symphonic sweep of Abbey Road into a cheeky slice of whimsy on the two-part suite “Uncle Albert/Admiral Halsey.” All this made Ram an object of scorn and derision upon its release (and for years afterward, in fact), but in retrospect it looks like nothing so much as the first indie pop album, a record that celebrates small pleasures with big melodies, a record that’s guileless and unembarrassed to be cutesy. But McCartney never was quite the sap of his reputation, and even here, on possibly his most precious record, there’s some ripping rock & roll in the mock-apocalyptic goof “Monkberry Moon Delight,” the joyfully noisy “Smile Away,” where his feet can be smelled a mile away, and “Eat at Home,” a rollicking, winking sex song. All three of these are songs filled with good humor, and their foundation in old-time rock & roll makes it easy to overlook how inventive these productions are, but on the more obviously tuneful and gentle numbers — the ones that are more quintessentially McCartney-esque — it’s plain to see how imaginative and gorgeous the arrangements are, especially on the sad, soaring finale, “Back Seat of My Car,” but even on its humble opposite, the sweet “Heart of the Country.” These songs may not be self-styled major statements, but they are endearing and enduring, as is Ram itself, which seems like a more unique, exquisite pleasure with each passing year.” (Stephen Thomas Erlewine, AMG)

Paul McCartney, vocals, harmony and backing vocals, bass, piano, keyboards, guitar, ukulele
Linda McCartney, harmony and backing vocals
David Spinozza, guitar
Hugh McCracken, guitar
Denny Seiwell, drums
Heather McCartney, backing vocals (on “Monkberry Moon Delight”)
Marvin Stamm, flugelhorn (on “Uncle Albert/Admiral Halsey”)
New York Philharmonic (on “Uncle Albert/Admiral Halsey” and “The Back Seat of My Car”)

Recorded 16 October 1970 – 1 March 1971 at Columbia Recording Studio, New York; A&R Recording Studios, New York; Sound Recording Studios, Los Angeles
Produced by Paul McCartney, Linda McCartney

Digitally remastered

Download Link Isra.Cloud>>>
Paul_McCartney_-_RAM.rar – 969.3 MB

Farceb – Crimes Of Malmö Part 1 (2018) [Hi-Res]

Farceb - Crimes Of Malmö  Part 1 (2018) [Hi-Res]

Artist:
Title: Crimes Of Malmö Part 1
Year Of Release: 2018
Label: Newrhythmic Records
Genre: Techno
Quality: FLAC (tracks) 24bit/44.1kHz
Total Time: 00:19:35
Total Size: 209,91 MB
WebSite:


Tracklist:

[5:35] 01. Farceb – Apocalisis 13.3
[2:58] 02. Farceb – Crimes Of Malmö
[5:31] 03. Farceb – Dremmygh
[5:31] 04. Farceb – Imperfect Past

**********

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Farceb - Crimes Of Malmö  Part 1 (2018) [Hi-Res]

Amjad Ali Khan – The Maestro's Musings, Pt. 2 (Live) (1986) [Hi-Res]

Amjad Ali Khan - The Maestro's Musings, Pt. 2 (Live) (1986) [Hi-Res]

Artist:
Title: The Maestro’s Musings, Pt. 2 (Live)
Year Of Release: 1986
Label: Sony Music India – 550 Music
Genre: World, Indian Classical
Quality: 16-bit/44.1kHz FLAC / 24-bit/96kHz FLAC
Total Time: 58:39 min
Total Size: 313 MB; 1.12 GB
WebSite:


Amjad Ali Khan Bangash (born 9 October 1945) is an Indian classical sarod player, best known for his clear and fast ekhara taans. Khan was born into a classical musical family and has performed internationally since the 1960s. He was awarded India’s second highest civilian honor Padma Vibhushan in 2001.

Tracklist:
01. Amjad Ali Khan – Introduction (Live) (Live)
02. Amjad Ali Khan – Raga Bageshri (Live) (Live)
03. Amjad Ali Khan – Raga Khamaj (Pahadi Dhun) & Folk Music of Bengal & Assam: Bhatiali & Bihu (Live) (Live)

Amjad Ali Khan - The Maestro's Musings, Pt. 2 (Live) (1986) [Hi-Res]

Amjad Ali Khan – Raag Khamaj (Pahadi Dhun) & Folk Music of Bengal & Assam: Bhatiali & Bihu (1986) [Hi-Res]

Benjamin Louis Brody – Far Away Music (2019)

Benjamin Louis Brody - Far Away Music (2019)

Artist:
Title: Far Away Music
Year Of Release: 2019
Label: Preserved
Genre: Ambient, Experimental, Contemporary, Drone
Quality: lossless (tracks)
Total Time: 40:10
Total Size: 178 mb
WebSite:


Tracklist
1. Far Away I (08:33)
2. Floating into Infinity (08:59)
3. Together (08:32)
4. Far Away II (14:06)


Far Away Music sees Benjamin Louis Brody reimagine his previous compositions to create what he calls “music inside of music”.

“When I started this project, I asked myself whether I could give my music depth perception, similar to a painting or drawing – the classic illusion of train track perspective that gives a painting a certain sense of distance,” says Brody. “With Far Away Music, I set out to do that with sound.”

“The music and sounds you hear could only have been created through computer technology. By manipulating the speed and texture its allowed me to change the perspective of the original content,” says Brody. “Far Away Music represents how I experience my work in a more personal way – it’s vast and subconscious.”

Having composed for NYC’s The Chelsea Symphony, independent films and various mixed ensembles, Brody has also worked with or for composers such as Elliot Goldenthal, Tom Waits and Philip Glass. Far Away Music is Brody’s first album on Preserved Sound.

Far Away Music is Benjamin’s first album on Preserved Sound.

“This effort, which Brody calls “music inside of music” is majestic by comparison. Its seriousness and the impact it will have on listeners warrants a new classical label. Brody has delivered a major work” – Badd Press

“Manipulations of resonant strings are turning, blooming, absorbing, reflecting, gathering … What’s best is the sense of unfolding — no landing planned, resolution defers forward, all toward some continuum along a vanishing point. Likely good for the emotions” – Tiny Mix Tapes


lossless
isra.cloud

Whiney – Waystone (2018) FLAC

Whiney - Waystone (2018) FLAC

Artist:
Title: Waystone
Year Of Release: 2018
Label: Medschool – MEDIC 84DD
Genre: Drum & Bass
Quality: 320 kbps / FLAC (tracks)
Total Time: 00:59:17
Total Size: 139,96 MB / 426,04 MB
WebSite:


Tracklist:

[4:31] 01. Whiney – The Capital
[4:13] 02. Whiney & Inja – Mission
[4:52] 03. Whiney – Spheres (feat. keeno & Pippa Violets)
[4:02] 04. Whiney & Degs – The Edge (feat. Lakeway)
[3:53] 05. Whiney – Slingshot
[3:40] 06. Whiney & Kwam – Doin’ It for Time
[4:23] 07. Whiney – Fever
[4:08] 08. Whiney & Truthos Mufasa – Triple Duppy Demon (feat. Hugh Hardie)
[3:48] 09. Whiney – Dismissed
[2:37] 10. Whiney – Darkest Night
[3:53] 11. Whiney & Sense MC – Notorious
[5:22] 12. Whiney – Virgo
[3:50] 13. Whiney & Mr. Porter – Shards
[6:04] 14. Whiney – Amulet

**********

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Whiney - Waystone (2018) FLAC

Dolly Parton, Linda Ronstadt, Emmylou Harris – Trio (1987) LP

Dolly Parton, Linda Ronstadt, Emmylou Harris - Trio (1987) LP

Artist:
Title: Trio
Year Of Release: 1987
Label: Warner Bros (C25491)
Genre: Country / Bluegrass
Quality: FLAC (tracks,scans) 24 bit / 96 khz
Total Time: 39:17
Total Size: 790 MB
WebSite:


Tracklist:

Side A:
The Pain of Loving You
Making Plans
To Know Him Is to Love Him
Hobo’s Meditation
Wildflowers
Telling Me Lies

Side B:
My Dear Companion
Those Memories of You
I’ve Had Enough
Rosewood Casket
Farther Along

Bringing together Emmylou Harris, Dolly Parton, and Linda Ronstadt for the album Trio was a truly inspired idea, and not simply because they were three of the finest voices in country and pop music at the time. While a gifted entertainer, Parton is also a business-savvy professional who will willingly set aside her gifts as a pure country singer if she thinks her audience would rather hear something like “Nine to Five.” However, give her a stage for old-school country material, and she will always rise sublimely to the occasion. Similarly, some of Linda Ronstadt’s finest work was on her early country-rock albums (especially Heart Like a Wheel), but she seems to operate best with strong collaborators; left to her own devices, she’s just as likely to pick wrong-headed material in styles not comfortable to her, but in the right settings her gifts still dazzle. And while Emmylou Harris had as strong a track record as anyone in Nashville in the 1980s, it’s obvious she loves to collaborate with others, and sings harmonies with the same rich and affecting beauty that she brings to her headlining gigs. So you take two gifted artists who need proper direction, team them up with an excellent collaborative artist, and the results should fall neatly into place. In truth, that’s a formula as likely as not to fail, but on Trio the experiment works brilliantly. The three vocalists display an obvious affinity and respect for one another’s talents, inspiring superb performances in one another, and while they all shine in their solo spots, some of the album’s most pleasurable moments are when the three harmonize, with their distinct but equally impressive voices melding into a whole that’s more than the sum of its parts. Harris, Parton, and Ronstadt also make the most of a set of fine songs (certainly a better program than Parton or Ronstadt had taken on in the studio in a while), and producer George Massenburg lined up a wonderfully subtle and intuitive backing group, with Ry Cooder, David Lindley, and Albert Lee picking gloriously without calling undue attention to themselves. In short, Trio is that rare example of an all-star collaborative effort that truly shows everyone involved to their best advantage, and it ranks with the best of all three headliners’ work.

Dolly Parton, Linda Ronstadt, Emmylou Harris - Trio (1987) LP

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Pat Martino – El Hombre (1967/2014) [Hi-Res]

Pat Martino - El Hombre (1967/2014) [Hi-Res]

Artist:
Title: El Hombre
Year Of Release: 1967/2014
Label: Prestige Records
Genre: Jazz, Soul Jazz, Guitar
Quality: FLAC (tracks) / FLAC (tracks) 24bit/44.1kHz / Booklet
Total Time: 00:47:47
Total Size: 276.6 MB / 513,66 MB
WebSite:


Tracklist:

[6:23] 01. Pat Martino – Waltz For Geri
[5:46] 02. Pat Martino – Once I Loved
[5:59] 03. Pat Martino – El Hombre
[4:31] 04. Pat Martino – Cisco
[4:58] 05. Pat Martino – One For Rose
[8:04] 06. Pat Martino – A Blues For Mickey-O
[5:52] 07. Pat Martino – Just Friends
[6:15] 08. Pat Martino – Song For My Mother

**********

Legendary six-string master Pat Martino’s debut album, El Hombre, finds the then-22-year-old flashing his distinctive soul-jazz chops in first date as a leader. Accompanied by organist Trudy Pitts, flutist Danny Turner, drummer Mitch Fine, and both Abdu Johnson and Vance Anderson on percussion, Martino’s runs alternatingly dance over Latin-tinged rhythms and groove in the pocket with classic, soulful flavor. Recorded May 1, 1967 by Rudy Van Gelder at the Van Gelder Studio, Englewood Cliffs, NJ, El Hombre stands the test of time as an absolute best-of-genre, guitar soul-jazz workout.

Personnel:
Pat Martino – guitar
Danny Turner – flute
Trudy Pitts – organ
Mitch Fine – drums
Vance Anderson – bongos
Abdu Johnson – congas

Production:
Cal Lampley – producer
Rudy Van Gelder – engineer

“I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger.”
—Rudy Van Gelder

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Pat Martino - El Hombre (1967/2014) [Hi-Res]

Tony Longheu – Blues Beyond (2019)

Tony Longheu - Blues Beyond (2019)

Artist:
Title: Blues Beyond
Year Of Release: 2019
Label: Aua Records
Genre: Blues, Electric Blues
Quality: 320 kbps | FLAC (tracks)
Total Time: 00:49:28
Total Size: 115 mb | 266 mb
WebSite:


Tracklist:

01. Blues Beyond, Pt. 1
02. Voodoo Chile Electronic Blues
03. Running in the Night
04. Arnold’s Tune
05. L. Blues
06. Mali in My Mind
07. Blues Beyond, Pt. 2
08. Train of My Life
09. Near the Railroad
10. A Presence